Writing Tips
Articles about the art and craft and business of writing.
Cell Phone Noveling ©
Clover Autrey
Ah, Technology ©
Clover Autrey
An Actual Pitch That Worked ©
Catherine Spangler
The Basics ©
Judi McCoy
Confessions of a Contest Judge ©
Judi McCoy
Critique Pointers ©
Angi Platt
Fog Scene Critique © (companion article to Critique Pointers by Angi Platt)
Angi Platt
Deep POV Means... ©
Angi Platt
Eeeew! Resolutions, A PRO Start on the New Year ©
Sandra Ferguson
Erotica vs. Erotic Romance ©
Shelley Bradley
The First Scene ©
Sherry Davis
Get Out of the Way of Your Writing ©
Sandra Ferguson
How to Make a Seamless Change of POV ©
Gail Dayton
I Don't Really Need a Critique ©
Nikki Duncan
Mythbusters #1: If the editor likes your book, they'll buy it ©
Mythbusters #2: After you sell the first book, your editors will want to buy others from you quickly ©
Mythbusters #3: Once you're published, it's easier to sell again ©
Mythbusters #4: Contracts aren't that hard to negotiate ©
Mythbusters #5: My advances will keep me cozy until my royalties arrive ©
Mythbusters #6: Your book will get quality editing and distribution ©
Mythbusters #7: If you want to know about print runs and distribution, just ask ©
Mythbusters #8: Once you sell your book, your editor will always return e-mails, phone calls, and read your material promptly ©
Mythbusters #9: Your editor will come back after getting married or having a baby ©
Mythbusters #10: By my 10th book, I'm likely to be a NYT bestseller ©
Mythbusters #11: A last few notes... ©
Shelley Bradley
Power Writing ©
Patricia Vermeire
The Potential of PRO ©
Sandra Ferguson
PRO-Sistence ©
Sandra Ferguson
Stretching the Boundaries to Another Dimension ©
Karen Kelley
The Ten Most Important Things to Do to Get Published ©
Juliet Burns
Turning PRO-Active ©
Sandra Ferguson
Writing a Synopsis for Today's Market ©
Catherine Spangler